Atr Complex Museum
BEYOND Botanicals, a Pop-up exhibit in the Alden Studio Galley, showcases the work of artists who discover inventive ways to use botanical prints in combination with other printmaking techniques, bookmaking, quilting, and painting.
Alden Studio Gallery, Art Complex Museum
BEYOND Botanicals, a Pop-up exhibit in the Alden Studio Galley, showcases the work of artists who discover inventive ways to use botanical prints in combination with other printmaking techniques, bookmaking, quilting, and painting.
Artists represented: Barbara Ford Doyle, Emilie Marks, Linda Bodin, Natalie Timoshin, Amy Jasperson, Rebecca Sher, Lauren Anzivino, Petrina Garbarini, Alan Trugman.
Alden Studio/Art Complex Museum, 189 Alden Street, Duxbury, MA 02332
Continue to explore printmaking without a press. The reusable, flexible, gelatin plate is coated with a thin layer of acrylic paint. Stencils and natural botanical materials are pressed onto the surface. Assorted papers laid on top of the plate “pull” negative and detailed “ghost” prints.
Registration required:
https://artcomplex.org/product/oct2024_beyondbotanicals_doyle/
BEYOND Botanicals, a Pop-up exhibit in the Alden Studio Galley, showcases the work of artists who discover inventive ways to use botanical prints in combination with other printmaking techniques, bookmaking, quilting, and painting.
Cotuit Center for the Arts
Provincetown Art Association and Museum
Every summer, PAAM members sell their artwork in The
Members’ 12×12 Exhibition and Silent Auction, one of our biggest fundraisers
that just so happens to be great for artists.
Bidding starts at $125 for all pieces.
Rhododendron, Botanical print, collage, resin
Alden Studio/Art Complex Museum, 189 Alden Street, Duxbury, MA 02332
Workshop: Handmade Stencils / Gelatin Plate Printmaking
Exploring the use of handmade stencils, mark making, and collage to create multi-layered prints.
Two-day workshop (February 10, 11) and Pop-up Exhibit in the Alden Studio GalleryCape Cod Museum of Art
Gallery Talk: January 11, 4—5:30 pm
Reception: January 11, 5:30—7 pm
Juror Jackie Reeves: One of my greatest joys when looking at art is getting up close to see how a work was made.
Alstroemeria
Mixed media monoprint.
Master plate: Drawing is “embossed” into dampened Bristol paper with a BIC® pen and transferred to gelatin plate with Amsterdam black acrylic paint. Sections of the plate are back painted, and print is pulled to tengucho paper. Final presentation on Yupo paper with added collage.
Cotuit Center for the Arts
January 6—February 10
Opening Reception: January 6, 3—5pm
Winter Art 2024 is geared towards younger artists and critics, with work hung lower than standard.
Inspired by the playful work of Carla Sondheim, I printed a “blob” monotype and gave my husband a set of Posca pens asking him to create an animal. I titled and framed it. Proof that everyone is an artist!
“Bearded Pentapod”
Provincetown Art Association and Museum
During the 1920s, Exquisite Corpse was a Surrealist game usually played by three or four participants who added to a drawing, collage, or sentence without seeing what others had already done. Each section of our Exquisite Corpse was folded back with only tic marks to help the next person "connect" to the preceding collaborations. Biggest challenge: NO PEEKING!
Exquisite Corpse: Barbara Ford Doyle, Emilie Marks, Alan Trugman
Cotuit Center for the Arts Open Juried Exhibition
Opening Reception: Sunday, October 22, 2023 4:00pm—6:00pm
Red Eye
Digital collage transfer, plexiglass spacer, Yupo paper background
Attleboro Arts Museum
Upcycled Crazy Quilt
Living in a consumer throw-away society, we have an overwhelming supply of trash.
The term “crazy quilting” refers to a kind of patchwork made of pieces of cloth of various colors, patterns, shapes, and sizes. My adaptation uses discarded packaging materials glued to 6"x 6" Masonite panels. Each collage is overlayed with text appropriated from grocery bags printed on thin rice paper and sealed with epoxy resin. The squares are connected randomly.
Truro Center for the Arts Edgewood Farm
*Bruce Mau: An Incomplete Manifesto for Growth
DAY 1: *Forget about good. Print acrylic monotype backgrounds on Yupo paper.
DAY 2: *Begin anywhere. Make a collagraph master with Bic® pen drawing. Print a series of monoprints on tengucho paper.
DAY 3: *Love your experiments. Combine monoprints and collage materials on Yupo paper backgrounds.
DAY 4: *Process is more important than outcome. Make another collagraph master and transfer image to gelatin plate. Back paint by masking areas and drying between colors. Pull print with Fluid matte medium.
DAY 5: * Collaborate. Experiments with charcoal, soft pastel chalks, magazine, and laser transfers.
Rocky Neck Art Colony, 6 Wonson Street, Gloucester, MA 01930
RNAC invites artist members from Cotuit Center for the Arts for a collaborative show, Cape to Cape. RNAC encourages submissions that speak to the shared connection to nature and the sea...
A second show, juried selections of works from RNAC, is scheduled for June 17 —July 23 at CCfrA.
Ebb Current #4
Ebb Current #7
Printed on Epson Legacy Baryta acid free/100% alpha cellulose archival paper
Provincetown Art Association and Museum
Hide and Seek
Décollage, resin on panel
Cotuit Center for the Arts
A juried show that invites artists to work in multiple mediums while interpreting the theme of spring.
Seedlings
Collage, printed tissue, resin
Alden Studio/Art Complex Museum, 189 Alden Street, Duxbury, MA 02332
Discover methods of transferring drawings and collagraphs to gelatin plates and back painting them to pull a series of monoprints. Images printed on rice papers are complete works of art or elements of mixed media collage.
Cotuit Center for the Arts
Art inspired by literature.
Do you know your A, B, Cs?
Collaged dictionary pages, resin on panels
Cotuit Center for the Arts
Green Pear, Gold Pear
Monoprints, mixed media collage
Alden Studio/Art Complex Museum, 189 Alden Street, Duxbury, MA 02332
Discover
methods of transferring drawings and collagraphs to gelatin plates and back
painting them to pull a series of monoprints. Images printed on rice papers are
complete works of art or elements of mixed media collage.
Cotuit Center for the Arts
Art we are "drawn" to!
SOLD
Pole Beans
Drawing, tissue, encaustic
Provincetown Art Association and Museum
Every summer PAAM members sell their art work and raise funds for PAAM in the 12x12 silent auction. All prices have a starting bid of $125.
On a pale morning.
Monotype, photo transfer, resin
Cotuit Center for the Arts
Over 100 works by PXP artists are in the upstairs gallery.
Singing Song
Mixed media photo collage
Cotuit Center for the Arts
A collaborative interpretation of “Splashdown Apollo 13, 1970” by Alma Woodsey Thomas fills the gallery with color and energy.
Barbara Ford Doyle
#49
Tengucho paper, mixed media, encaustic
Cotuit Center for the Arts
Reception: May 15, 3—5PM
Five Tulips in a Row
Monotype, emulsion transfers, mixed media on Yupo paper
Creative Arts Center, 154 Crowell Road, Chatham, MA 02633
Reception May 15, 4—5:30PM
A continuing celebration of PCC 45 years of printmaking.
Burano
Flag book, digital photo prints
Cotuit Center for the Arts
Printmakers of Cape Cod
45th Anniversary Exhibition
I
combine gelatin monotypes as backgrounds for mixed media work. Swirls of black and red acrylic are printed onto Yupo paper. Thin layers
of tissue paper are collaged over the monotypes. The final layer is a photo
transfer.
My inspiration for Environs is low pressure weather systems that impact Cape Cod and unfortunately produce storms causing coastal erosion.
Cape Cod Museum of Art: Annual Members’ Juried Exhibition
Opening Reception: February 3, from 4PM to 7PM
Opacity can be found everywhere in everything, both literally and metaphorically. This theme was selected as a framework, providing CCMoA Members a launching point to consider the many possible ways these attributes can be expressed visually within their art.
Figure 8
Monotype, charcoal, inks on Yupo paper
Cotuit Center for the Arts
Not having any opportunity to dress up during COVID-19, I vicariously outfitted Barbie and made her body parts interchangeable! Barbie is displayed in a box for younger art patrons' interactive play!
Barbie Dresses Up
Photo images, movable wooden panels
Provincetown Art Association and Museum
Mannequin #2
Monotype, photo emulsion lift, mixed media
Cape Cod Community College Grossman Building, Cafeteria
Seventy Cape Cod artists and 4C's art students create a permanent wall piece.
Mayko and Patricia
Photo transfers, collage
Cotuit Center for the Arts
Twenty-two artists explore the show's title in various media defining experiences of changed reality—how the content of a photograph, painting, print, or objects transform the nature between real and illusive appearances.
Cotuit Center for the Arts
Opening reception Saturday, August 21, 3-5 PM
Legacy is tangible and intangible. It is defined as everything from a gift by will, especially of money or other personal property to something philosophical or cultural transmitted by or received from an ancestor or predecessor.
Gift of a Bright Future
Monotype, photo emulsion lift from family slide
Merit Award
Your entry in the Black & White Portfolio Contest 2021 has been selected for a Merit Award. Several of your images will be published as a 2-page spread in the Special Issue #147 (page 110,111) of Black & White magazine. There are only 80 winners in this category, so you can be confident that your work deserved this special attention.
Provincetown Art Association and Museum
Every Summer PAAM members sell their art work and raise funds for PAAM in the 12x12 silent auction. All prices have a starting bid of $125.00
Filicinae
Monotype, photo emulsion transfer
Cape Cod Museum of Art
Printmakers of Cape Cod create works inspired by one of the Dennis Conservation Land Trust's many land holdings (Coles Pond Bog for these prints) in celebration of the 40th anniversary of CCMA.
Reception: Sept. 22, 4—6 PM
Juror: Sarah Holl
Filicinae #1, Filicinae #2
Monotype, photo emulsion lifts
Attleboro Art Museum Real or Imagined
Juror: Clare Bell, Senior Director of Exhibitions at Solomon R. Guggenheim Museum.
Original virtual reality (VR). The world in a stereograph seems transcendent, a hyper-real path for the viewer to travel from plane to plane. It is a simulated experience where two slightly offset images of the same scene are meant to trick your brain into synthesizing spatial depth.
NOTE: 3-D glasses with red/cyan lenses are needed to properly view these images on screen or in the gallery.Porto di Praiano, Vista da Praiano
Stereographic digital prints
Cotuit Center for the Arts
An exhibit inspired by the atmosphere, colors and creatures inhabiting the hours between dusk and dawn.
Juried by exhibiting artist Lisa Goren.
Vita Notturna, Bologna, Italy
La Passeggiata, Bologna, Italy
Archival digital prints
Cotuit Center for the Arts
The workshop is an introduction to making Polaroid-like emulsion lifts using a Canon Selphy CP1300 printer.
Fri & Sat 10am—3pm, Sun 11am—4pm
CCftA for registration information: https://ci.ovationtix.com/31005/production/1037883
Cultural Center of Cape Cod
Congratulations! Your work has been selected to be part of our online exhibit The Magic of Water. We received 990 entries from all over the world.
Sea Sand #5
The selected images are now on our website, https://www.cultural-center.org/themagicofwater
Creative Arts Center in Chatham
3-D anaglyph: Two color stereo views are filtered so that only one of the two images can be seen by each eye, in that way creating a 3D effect.
NOTE: 3-D glasses with red/cyan lenses are needed to properly view this image on screen or in the gallery.
Juror Barry Donahue awarded Honorable Mention
Vista da Praiano
Stereoscopic digital print
Provincetown Art Association and Museum
Juried exhibitions at PAAM represent a smaller cross-section of member artists whose work has been chosen by a guest curator after being submitted. Each show reflects the aesthetic judgment and curatorial eye of invited jurors...for this exhibit, Polly Burnell and Pasquale Natale.
Barbie
Photo transfers on mulberry paper, resin, wood
Provincetown Art Association and Museum
Le Mani
Photo transfers, encaustic, gold leaf.
Cotuit Center for the Arts
Gonna be a Bright, Bright Sunshiny Day (Johnny Nash)
Archival pigment prints: Installation / nine prints each 17" (H) x 15"(W)
Issue #143
Your work was singled out by our judging panel for its visual excellence and narrative interest.
Wonderland Triptych, Middlebury, VT
Multiple exposures, transfer prints on mulberry paper, resin on three 16 x16-inch birch panels
Provincetown Art Association and Museum
Barbie
Photo transfers on mulberry paper, resin, wood panel
PhotoPlace Gallery, 3 Park Street, Middlebury, VT 05753
One criteria I focused on...Was a monochromatic vision better than say a color version of the image and did this contribute to the ultimate message the artist was trying to get across to me, the viewer?—Jennifer Schlesinger
Months after Hurricane Dorian, the Abaco Islands are still devastated. More than 600 undocumented residents may have drown and been washed out to sea. With the guidance of Bob Korn Imaging, I hope to present a benefit 'pop-up" exhibit at his gallery later this year.
Church Ladies, Hope Town Assembly Church, Kristiana
Church Ladies, Hope Town Assembly Church, Gabriella
Archival pigment prints
INTERIORS
Gallery talk with juror André van der Wende, January 24, 4—5PM
Reception: January 24, 5:30—7PM
Call for art: Interiors can mean various things to different people. It can be a representational viewpoint from inside a home, workplace, studio or café - often it can have a nostalgic sensibility or evoke a feeling of security. A person might identify with a place of worship or even a forest, to express their internal self. Internalized feelings and emotions may resonate within an interior.
I'm revisiting this series of work inspired by Allen Ginsberg's A Supermarket in California by making transfers and emulsion lifts that mimic outdated Polaroid processes.
Ginsberg explains: The penumbras, a word meaning “shroud” or “partial illumination,” are meant to designate the secrets that such displays of nature …hide. Photography allows us to see mysterious internal worlds—the sensual concavities of a peach or red pepper.
Peaches and Penumbras: Peach
Peaches and Penumbras: Red Peper #2
Photo transfers on limestone paperCross Rip Gallery, 486 Rt 28, Harwich Port, MA 02646
Cross Rip Gallery expands its reach into the diverse nature of creative imagination with its Invitational Exhibit: Surrounded by Water, September 12th-October 13th. Guest artists Joyce Zavorskas, Barbara Ford Doyle, Matthew Bielen, Greg DeLory, Yvonne Lamothe and Ann Guiliani join Suzanne M. Packer, Heather Blume, Kate Nelson, Liz Perry, Richard Perry, John Howard, Martha Holden, Leah McCormick, Alla Zbinovsky, Ellen C. Davies, Hollis Fortune, Dianne Longchamps, Georgene Riedl, Leslie Kramer and Tom Wilson Jones to present inspired and thoughtful paintings, sculptures, photographs, reliefs and collages.
Doyle’s series of black and white photographs, Collapsing Dunes, documents escarpment erosion caused by increasing sea levels on Nantucket Sound-facing dunes.
Opening reception is Friday, September 13th, 5 pm-7 pm.
Archival pigment prints on 100% cotton rag photo paper.
Provincetown Art Association and Museum
Every summer PAAM members sell their artwork and raise money for PAAM in the 12x12 silent auction. All pieces have a starting bid of $125.
Riflessivi, Burano
Photo inkjet transfer on oxidized aluminum, resin
OPPOSITES
Mannequins are inanimate objects with an uncanny sense of aliveness. As substitutes for human beings, they become icons of art. To reflect my sensibilities and understanding of the history of photography, I reprocess film and analogue darkroom techniques with black and white digital inversions.
Archival pigment strips, resin on birch panels